20250128

Sorry, Leslie. Really I am.

Disclaimer: For my literary purposes, Frank and Joe Hardy are both of the legal age of consent.

Here is the re-written Chapter 15 of the original Hardy Boys book #1, The Tower Treasure, by Leslie McFarlane.

CHAPTER XV
 
The Chief Gets a Bomb
 
“What’s up now?” asked Joe, when the Hardy boys had left the house.
“Chief Collig and Detective Smuff must miss that train.”
“But how?”
  “I don’t know just yet, but they’ve got to miss it. If they reach the hospital to-night they’ll interview Jackley first. One of two things will happen. They’ll either get a confession and take all the credit for clearing up the case, or they’ll go about it so clumsily that Jackley will say nothing and spoil everything for dad.”
  The Hardy boys walked along the street in silence. They realized that the situation was urgent, but although they racked their brains trying to think of some way in which to prevent Chief Collig and Detective Smuff from catching the train, it seemed hopeless.
  “Let’s round up the gang,” suggested Joe. “Perhaps they can think of something.”
“The gang” consisted of the boys who had been with Frank and Joe the day they held the picnic in the woods. There was, of course, Chet Morton. Besides him were Allen Hooper, otherwise known as “Biff”, because of his passion for boxing, Jerry Gilroy, Phil Cohen and Tony Prito, all students at the Bayport high school. They were usually to be found on the school campus after hours, playing ball, and there the Hardy boys soon located them. The game was just breaking up.
“Pikers,” grinned Chet Morton when he saw the Hardy boys approaching. “You wouldn’t play ball when we asked you to, and now you come around when the game’s all over.”
“We had something more important on our minds,” replied Frank. “We need your help.”
“What’s the mattah?” asked Tony Prito. Tony was the son of a prosperous Italian sanitation contractor, but he had not yet been in America long enough to talk the language without an accent, and his attempts were frequently the cause of much amusement to his companions. He was quick and good-natured, however, and laughed as much at his own errors as any one else did.
“Chief Collig and Detective Smuff are butting into one of dad’s cases,” said Frank. “We can’t tell you much more about it than that. But the whole thing is that they mustn’t catch the nine o’clock train.”
“What do you want us to do?” asked Biff Hooper. “Blow up the bridge?”
“We might lock Collig and Smuff in one of their own cells,” suggested Phil Cohen.
“And get locked in ourselves,” added Jerry Gilroy. “Be sensible. Are you serious about this, Frank?”
“Absolutely. If those two catch that train dad’s case will be ruined. And I don’t mind telling you it has something to do with Perry Robinson.”
Chet Morton whistled.
“Ah, ha! I see now. The Tower affair. In that case, we’ll see to it that the nine o’clock train leaves here without our worthy chief and his equally worthy—although dumb—detective.” Chet cultivated a sharp distaste for Smuff, for the police sleuth had once or twice tried to arrest the boys for bathing in a forbidden section of the bay.
“There is only one question left,” said Phil solemnly. “How to keep them from getting on the train.”
“Get your brains to work, fellows—if you have any,” ordered Jerry Gilroy. “Let’s figure out a plan.”
A dozen plans were suggested, each wilder than the one before. Sabotage of police vehicles was suggested, followed by kidnapping the chief and his detective, binding them hand and foot and setting them adrift in the bay in an open boat.
Phil Cohen suggested putting the chief’s watch an hour ahead. That plan, as Frank observed, would have been a good one but for the little difficulty of laying hands on the watch.
“If we were in Italy we could get the Black Hand to help,” said Tony Prito.
“The Black Hand!” declared Chet. “That’s a good idea!”
“We got no Black Hand society in Bayport,” objected Tony.
“Let’s get one up. Send the chief a Black Hand letter warning him not to take that train.”
“And if he ever found who wrote it, we’d all be up to our necks in trouble,” pointed out Joe. “We need to keep them otherwise occupied in the hour the train boards and leaves. We need an irresistible distraction.”
Chet Morton suggested starting a fight in front of the police station just as Collig and Smuff were about to leave for the train. But that plan too seemed likely to result in penal correction.
The boys all puzzled.
“Leave it to me,” announced Chet Morton at last. “I will make this work. I will guarantee to keep the chief in town.”
“No violence, right?” asked Frank. “No destruction of public property, no jail time?”
“Certainly not” said Chet. He paused, then qualified, “Almost certainly not. Listen.”
Chet proceeded to lay forth his plan in a stealthy whisper. It was received with chuckles, murmurs of admiration, and gasps of astonishment.
Joe took in the plan with particular enthusiasm. “Dad just mentioned that place—he called it ‘seedy.’ That sure piques my curiosity!”
“You’re certain you can arrange it?” Frank asked doubtfully.
“The proprietor of said establishment is, shall we say, an old family friend,” Chet replied elliptically, “one who owes me an entire carnival of favors. He will agree."
“It certainly is a unique idea,” Frank granted.
“I’ll say it is!” Joe agreed. “And I can’t imagine the Chief and Detective Smuff not taking the bait.”
Tony Prito was a bit reluctant. “So, do we all—I mean, have we all to—?”
“We are a united front,” Chet intoned solemnly, “on a mission to save Mr. Hardy’s case and Mr. Perry’s reputation.”
Frank offered an only semi-facetious “amen.”
At seven o’clock, after their several suppers, Chet and Tony drove the chums in the direction of southwestern Bayport where they rendezvoused in front of an unremarkable bungalow that might have served as someone’s residence but for a small, illuminated sign that read:

The Scroobious Pip
 
  Frank had assumed that Chief Collig and Detective Smuff would be leaving to catch the train at about eight-thirty, so shortly after eight, Phil Cohen telephoned the police station and asked for Detective Smuff by name. Disguising his voice with a generic Eastern European accent and a nasal twang, Phil provided the detective with an anonymous—and very unusual—tip.
“They’re going to do what?!” Smuff was apoplectic.
“Zat is as mooch as I can zay,” Phil replied mysteriously and hung up the telephone.
There was no question but that the detective and the chief would investigate the situation personally. Consequently, shortly after eight o’ clock, the front door of The Scroobious Pip was manhandled open by a breathless Ezra Collig, Chief Constable of the Bayport Police Department. The chief swept stridently into the public house and, as he came in sight of the bar, stopped dead in his tracks, staring upward in disbelief.
“Evenin’, Chief!” the proprietor hollered from behind the bar.
‘‘Evenin’, Chief!’’ echoed Joe Hardy, standing on the bar wearing no-thing at all beyond a jock strap, a pair of gym socks, and the confident glow of a young man in his element. Joe’s chums, in similar states of undress, were stationed at intervals along the roughly rect-angular span of the wrap-around bar.
The chief, agog, seemed not to hear the greetings. ‘‘What do you boys think you’re doing?’’ he raged at the Hardy party.
Joe, who was nearest to the chief, replied, ‘‘What do you think we’re doing, Chief Collig?’’
‘‘You—you—you can’t be up there!’’ Collig blustered, stepping closer to the bar. ‘‘You’re minors!’’
‘‘Chief,’’ Joe admonished, likewise narrowing the distance between them, ‘‘you know perfectly well that miners work down there, not up here.’’ He punctuated the gag with an earnest and cheery smile.
Meanwhile, Detective Smuff had advanced in a flanking maneuver and was giving the stink-eye to Chet Morton and Tony Prito, who were likewise upon the bar wearing, respectively, a kilt and a pair of boxers festooned with cartoon tur-tles. At the far side of the bar, nearest the rest rooms, Phil Cohen made the most of his white cotton briefs while Biff Hooper clutched a mauve bath towel around his hips.
“I dunno what’s got into your boys!” so Smuff did huff. “It’s outrageous!”
“Oh, good sir, you don’t know the half of it!” Chet agreed, taking small, slow steps toward the detective. “You should be outraged. Indignant. Maddened. Engorged.”
“Git yer butt down from there, ye damn thesaurus!” Smuff bellowed.
“Brother Smuff, it was Kilimanjaro getting up here—you want me down, you’ll have to climb up and get me,” Chet warned him. “But take your pants off first. It’s the rule.” Chet was surprised to see Oscar Smuff actually blushing.
Meanwhile, Chief Collig’s squall was still blowing but was fast losing pitch. Among other things he had calmed down enough to get an eyeful of Joe, and quite the eyeful that was. Sure, Joe had always been a pretty boy with a generically attractive build. But standing here naked, he clearly wasn’t just a boy anymore. Rather, the young man’s charms were abundantly evident: ripe, cherry nipples standing out from his ample pecs, gorgeous and shapely gams, and a fine light dusting of peach-fuzz covering his thighs and calves and that little trail leading from his navel down toward—
“Joe Hard—”Collig attempted, but it was a useless sally. A highball glass of bourbon whiskey had appeared on the bar in front of him.
“Chief,” Joe said cordially as he lowered himself to his knees before the chief. “This is just a lark. None of us are drinking alcohol. And all the money we raise goes directly to cha-ri-ty.” He over-articulated the word. Joe had positioned his jock strap directly in front of Collig’s face, and the chief was having obvious difficulty directing his gaze anywhere but there. He couldn’t help noticing how very full the pouch was.
“Charity, you say? What charity?”
“The Chet Morton Stolen Automobile Retrieval Fund.”
“What?!” the chief almost giggled. “But the Morton kid got his roadster back! Heck, it’s parked right out front.”
Joe picked up the glass of whiskey and went in for the kill.
“Oh, but you never know . . . when it might be stolen . . . again.” By now he was purring in Collig’s ear and holding the glass to the chief’s lips. “There are . . . so many . . . bad men in the world.”
At this exact moment, Frank Hardy, returning from the rest room, walked around the right side of the bar and accosted the already entangled policeman, who at his salutation was startled out of his reverie.
“Chief Collig! It’s so good of you to be here!” Frank said warmly. “Is this—I mean, do you frequent this place? It’s our first time, of course.”
“Frank—you—”
Frank had on a microscopic pair of swim-wear expressly designed to satisfy all curiosity as to the wearer’s religion.
“Yes, sir, I know, it’s all very silly. But it’s for a good cause!”
Frank continued his stroll around the bar until he came to Detective Smuff, whom he greeted affectionately first with words, then with a big sloppy kiss planted right on Smuff’s mouth. Smuff exploded.
“That’s it! That’s enough! That’s more than too much! You boys get down and get your clothes on right now, you hear?”
“Shut up, Smuff,” came the reply from the bar, where Chief Collig was digging from his billfold a wad of one-dollar bills and a couple fives and tens.
“Charity!” Collig said with the air of a fine, upstanding American, as he poked a dollar bill into the top of Joe Hardy’s jock strap. “One should always support charity.”
Collig and Smuff spent a good while at ‘The Pip’ that night and deposited quite a handful of cash into socks, briefs, and the drink till; and when at last those able guardians of the law took their way home, nine o’clock had come and gone. So had the train.

20250126

TBI: 'Never Forget Who You Are'; and, perhaps coincidentally, a plunging necklion

Dude: Quem são esses meninos do Brasil? Are they twins? Identical? (I shouldnae think sae.) Biovular? Regular sibs? Are they both Hitler?

The tattoos are probably coincidental. Menino #1 has a lion sprawled across his neck and collarbone; whereas Menino #2 has the text 'Never forget who you are' on his right pectoral. Mind you, 'Never forget who you are' is mostly webmembered of late as part of the neo-Gibranish body of wisdom issuing forth from Tyrion Lannister; but while the quote from The Lion King is the slightly different 'Remember who you are', Google assures me there are tons of rubes out there with this conflation inked upon them:


Ok, but, most importantly, who are these guys? Yeah, sure, they're random swimwear models. But this is now desperately important to me. You do you























Please advise soonest.

20250121

Daniel Royal Georges

 How is it none of you motherfuckers thought to inform me of the existence of Daniel Royal Georges?







20250119

I don't know about YOUR reality...

I mean, der Orangenscheißegibbon is scheduled to begin the Fourth Reich Part Deux tomorrow, so I understand if you're not exactly blithe just now... but my world just took a slight but important turn for the better when I discovered that ADAM WIRTHMORE IS STILL WORKING.




 

20250111

My Three Buddies and I

 There were all the thousand things and one thing that happened, and then I needed to pee.

I locate the rest room door in the dorm hallway. It looks just like every other door in the hallway and is distinguishable from bedroom doors only by its lacking a numeral-bearing plaque. But the visual only confirms its identity since I know perfectly well it’s the third door on the left after the hallway turns left. The combination lock is somehow simultaneously (a) five little metal pushbuttons in a vertical row numbered 1 through 5, on which the combination is 1-2-1-3; and (b) a 9- or 10-button phone array, on which the combination is either 3-2-3-4 or 9-8-9-4. While this lock had given me grief on my last visit…

(that time late at night when I noticed that the wall of urinals is perforated, or pergolated, or whatever the architectural term is: there are foot-wide strips of wall interrupted by foot-wide strips of nothing that look out into the garden and the street; and while I was there some passing headlamps accidentally—at first!—illuminated my pissing cock; I mean, sure, the urinal is on this strip of wall but why not just lean out here to piss in the garden where both streetlamps and headlamps can show me just how fucking fine and fat and beautiful my cock is oh fuck it’s so beautiful and now it’s done pissing it definitely deserves desires commands some stroking)

…but this time the combo that I remember works perfectly and lets me into… another bedroom? Wait. There are two double beds in here. They look exactly like the beds in every other room on the floor. But they are strewn carelessly (and have no linens) as if just tossed in here. Are they in the process of turning this bathroom into a sleeping room?

I go to the administrative offices to find out. It looks like a DMV or customs. I have an acquaintance who has some official law or regulatory enforcement capacity as a guide; she points me to the right counter. When I have someone’s attention I describe the bathroom in question with geographic specificity. The returned promise to investigate is obligatory and unsatisfying. I move away from the counter but it’s a labyrinth to get out of here. I get into a little dead end where there’s a machine that has printed an extra travel pass for someone else who neglected to tear it off its perforation and take it. ‘Of course you can’t take that,’ my guide says, with some regret on my behalf; a few moments later we pass a filing cabinet on which various tickets of a different type are lying about, apparently discarded; and my guide is quick to advise there would be nothing illegal or unethical about taking one of these, which would come mightily in handy were I apt to gae McGuffining.

I go back to the dorm, but the hallway is now a shopping mall or boardwalk and the door to the dysphoric bathroom is now inconspicuous between two garish food stalls. My three buddies and I are watching some drama unfold while we wait to order something at—oh, let’s call it Red’s, an establishment with both a fast-fried-food counter and a convenience store. It’s not soap-opera clear what’s going on, but there’s a burly cishet male bully doing everything he can to make miserable the lives of both his ostensible girlfriend and their coworker Randall, who may or may not be the girlfriend’s sassy gay friend. My three buddies and I agree we should do what we can to help out here—which, for better or worse, is engaging Randall in a regular convenience store transaction… I guess to get him out of the bully’s field of attention and allow him to be visible as a solid, competent worker. So my three buddies nudge me to the counter to go first; only I don’t really want anything and I’m blanking on what to ask for. As if to cue me, someone behind the counter says, ‘Can I get some potchalk?’ Or whatever the word was, denoting a well-known brand of snack. I guess it needs restocked behind the counter, but for simplicity I repeat the sentence verbatim as an order. While Randall is getting the potchalk, thinking I ought to order one other thing, I notice bins of what I think are chewing gum, only it’s all tiny fractal pieces of gum with a candy coating, like on gumballs. There is a sticker on one of the bins telling me a serving is 3¢. I ask Randall: How is this stuff apportioned? He tells me it’s in little bags. I ask for two. He gives me merchandise and accepts legal tender. We are done.

I turn around and my three buddies are nowhere in sight. I spend the next couple minutes looking uselessly about the immediate vicinity—which is now a street corner at night—while it slowly dawns on me I have been purposely ditched.

Thanks, Robert Vincent Bumbera.

Heading back to the dorm, I think various things in succession:

—I’ve been abandoned by supposed friends again.

—I won’t survive it this time.

—Wait, Brain made up this dream, doofus. Brain isn’t your fucking friends. 

20230206

There is nothing worthwhile to do that is not art.

 I know I post a lot of smut, but I've been thinking I need to post more original (other people's) art that I find particularly provocative or moving or wild. 

Par exemple, I can't even with how much I love this piece by twitter.com/japhers (instagram.com/re_japhers/; ko-fi.com/japhers):



20230108

Uncanny Valley PTA


I don't mean to denigrate a particular artist; the image here is just a random example of, well, so very much of the gay erotic artwork being produced these days. How does anyone find this stimulating?